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A Tribute To The Best Damn Fiddle Player In The World Or My Salute To Bob Wills
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A Tribute To The Best Damn Fiddle Player In The World Or My Salute To Bob Wills
Reader Reviews When Merle Haggard hit superstardom in 1969 on the back of "Okie from Muskogee," in his typical idiosyncratic fashion, he chose to exercise his new found leverage over his record company to record and release his salute to Bob Wills, who by that time sadly had faded into obscurity beyond a few honky-tonk jukeboxes on the Texas prairie. Hag's championing of Wills was instrumental in the resurgence of interest in his music and some of his former Texas Playboys, such as fiddler Johnny Gimble were able to resuscitate their careers in the wake of this recording. So there is no questioning Hag's sincerity and dedication. What is at issue it the recording itself. Bottom line: it's not bad, but it's not Bob Wills, either. Hag's band, the Strangers, is not entirely suited to this music, and it loses some of its swing. And while Hag's a fine vocalist, he is no Tommy Duncan, and his spoken interjections, a la Wills, don't really come off, at least to me. So I would give five stars for the intention and effort, but if you really want to hear "Time Changes Everything," "Take Me Back To Tulsa," "San Antonio Rose," or other Bob Wills classics...buy a Bob Wills record.
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Current Page: Home > Merle Haggard > A Tribute To The Best Damn Fiddle Player In The World Or My Salute To Bob Wills
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