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Reader Reviews Both Stan Getz and Lionel Hampton were in Hollywood appearing in the movie "The Benny Goodman Story" when they took some time off to record these sides for Norman Granz's Verve label. (Hamp was even busier: later on that day [8/1/55] he would cut an album for Granz with Art Tatum and Buddy Rich, and the next day he'd bring his big band into the studios to cut yet another LP). Both men are in fine form and work well together. CHEROKEE, taken up-tempo, has an especially fine solo by Hamp. The other scorcher on the album, JUMPIN' AT THE WOODSIDE, has a good solo by pianist Lou Levy and some uncharacteristic honking by Stan (Getz plays more of an outline of a solo on this number, hitting in spots only the major note in each chord, rather than filling it out). On the slower numbers Getz is very breathy - you can hear the air escaping from the vibrating reed. GLADYSE is a handsome blues by Hamp (named after his wife) and we get two takes here: the issued take is taken a bit faster than the alternate, and during the exchange of choruses in the alternate Hamp loses count and hits a clam. There's an unknown trombone player added on HEADACHE (conjecture says it might be Willie Ruff), but he's very much in the background. HAMP AND GETZ is a wonderful success and is very easy to take. This is what mainstream jazz at it's finest is all about.