Voices from the Sky by Dadawa

Voices from the Sky

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Voices from the Sky

Reader Reviews
I honestly do not understand people who complain that Dadawa merely exploits the cultural heritage of Tibet in her albums "Sister Drum" and "Voices from the Sky" (i.e. cultural colonialism of sorts) and that her works are not "true" Tibetan music. Well, hello! She never claimed that her works are "true" Tibetan music, she was merely influenced by Tibetan culture during her travels in Tibet. Read the inserts, people. Her works are influenced in equal measure by both Tibetan music and traditional Chinese music, and her fusion of both into something sublime is to be commended. Accusing her and her producers of "exploiting" Tibetan culture is like accusing Deep Forest of "exploiting" native cultures around the world by incorporating native music into their worldwide hits such as "Sweet Lullaby". And saying that buying her CDs is like hanging a beautiful Tibetan knife on one's wall i.e. doing something that does nothing to further one's understanding of Tibetan culture - well that's just plain silly. One has to start somewhere, and if loving Dadawa's music leads someone to explore more authentic Tibetan musical works, or to read up on Tibetan culture, or even to book a flight to Tibet, well that's a start. Yes, I do feel that the Chinese occupation of Tibet is reprehensible, but that is not enough excuse to accuse Dadawa of profiteering from Tibetan culture. Her love for Tibetan music is apparent to anyone who genuinely listens to her works without political bias, and I for one think Dadawa's CDs are a must in any serious music lover's collection. Do yourself a favour and buy both "Sister Drum" and "Voices from the Sky". You'll find yourself chanting "Om Mani Padme Hum" along with her songs in no time.

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